Episode 33: The Universal Dancer Podcast – I’m Interviewed by Leslie Zehr

Leslie Zehr is a wonderful host and interviewer, and even though this was my first podcast, she immediately put me at ease. We had a delightful, fun conversation where I was able to share my journey from dancing as a toddler while my grandmother played the piano, through my dance education at the Graham Studio and The Juilliard School, to the creation of the Avodah Dance Ensemble.  Her questions enabled me to discuss the transformative power of dance, as we explored how dance is a method of empowerment and healing in women’s correctional institutions, and how it led to filmmaking and in particular the film Through the Door: Movement and Meditation as Part of Healing with domestic violence survivors.

Each month since January 31, 2021, Leslie has produced a different Podcast, all designed to inspire “a community of like-minded souls seeking to understand the cosmic dance of co-creation through the sacred arts.”   She wants to expand minds, ignite creativity and explore something new and something old.

Leslie is a sacred arts teacher, workshop leader, mentor and author of two books, The Alchemy of Dance and The Al-chemia Remedies.  While she was born in Peru and educated in the United States, she lives in Egypt, where for more than 30 years she has supported women “to reconnect to the Divine Feminine within through the mysteries of ancient Egypt.”

The Podcast series covers a range of subjects. Some examples are: Let Your Yoga Dance; Sacred Self Care Chakradance; A Roundtable Discussion of the Importance of Movement and Dance in Children’s Lives; and Japanese Butoh.

While the Podcast is not done live, Leslie does no editing, so I knew that I had to be as clear and focused as I could be.  When the interview was over, we had a few minutes to check in about how it went.  I expressed my gratitude to Leslie for her warmth, and we both agreed we had fun sharing together.  The interview is available to listen to as a podcast and to watch on YouTube.

Link to Podcast Platforms:

https://podcasters.spotify.com/pod/show/leslie-zehr/episodes/JoAnne-Tucker–Author-of-Torah-in-Motion-Creating-Dance-Midrash-and-the-Mostly-Dance-Blog-e2cdonl

Link to YouTube: https://youtube.com/live/7KP8B3mATwU

Screenshot from YouTube. I like this moment because you can see we are both having fun!

 

 

 

A Sijo Poem for the Winter Solstice

I was introduced to the Korean sijo in a recent poetry class I took.   The teacher mentioned it along with haiku and invited us to explore one of the forms.  Since I spent some time last year writing haiku and creating watercolors to accompany text, I was intrigued to delve into this new form I was hearing about for the first time.

What is sijo?  The Poetry Foundation provides a place to start:

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five.

While the form is not as well-known as haiku, a little more research found some treasured classics translated into the English.  This one by Yun Seon Do (1587 – 1671) particularly caught my attention.

You ask how many friends I have? Water and stone, bamboo and pine,
The moon rising over the eastern hill is a joyful comrade.
Besides these five companions, what other pleasure should I ask?

There are regular writing contests for haiku and groups that meet in both the United States and Japan writing and sharing haiku.  There is not as much activity happening with sijo although I did discover that the Sejong Cultural Society has a writing competition.  The Sejong Cultural Society’s purpose is to “advance awareness and understanding of Korea’s cultural heritage among people in the United States by reaching out to the younger generation through contemporary creative and fine arts.”

In the past few weeks I have written several sijo.  I liked the fact that sijo were often shared as songs, sometimes with drum accompaniment.  Soon I was thinking of simple choreography that might fit one of the poems I had written.  Why not explore writing sijo and creating dance movements to accompany the words?  I had fun doing just that.

This sijo is for the winter solstice.

 December darkness descends: fewer hours of sunlight.

Energy emerges from friendships — reach out to each other —

Recognize your inner light: open your heart with joyful love!

And here is a link where you can see the movement.  I invite you to do the simple movement with me.  https://vimeo.com/895910726

When I shared my sijo and movement with the poetry class, one of the members asked if she might share it with her church group.  I was very touched by the request, and that was part of my motivation for figuring out how to video it to share with others.

When I was working with haiku, I created over thirty haiku with watercolor illustration and selected some to share online in this blog.  https://mostlydance.com/2023/03/24/an-experiment-writing-haiku-with-accompanying-watercolor/   While I haven’t decided yet whether to create a series of sijo with accompanying movement, I am intrigued by the idea.

In Costa Rica, being so close to the equator, we only experience a small change in the balance of light and dark each day.  This particular year I am feeling the darkness more.  Let’s light candles and call forth our inner light to remind ourselves that each day after the winter solstice there will be a bit more light. 

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