A Trip to Bali

Memories of a trip to Bali resonate strongly, even though it was nearly 30 years ago that I spent 6 amazing days exploring the island, totally fascinated with the different sites we visited.  Murray and his colleague had wandered into a tourist agency on a lunch break during their work trip to Singapore.  They saw a great package for 6 days in Bali with airfare and hotel.  Liked it and bought it.  A few days later we were on the plane for the 3-hour flight to Denpasar Airport.  We were met, part of the package, and driven to the resort hotel in Nusa Dua, by far one of the most beautiful hotels we had ever been to.  While the resort was very modern, it displayed the traditional beautiful sculpture and art work that the Island is famous for – a nice blending of traditional and modern styles. The rest of the first day we totally enjoyed hanging around and swimming in the very large pool!

The next morning we piled into our small van and the four of us were joined by one other couple.  Following a morning concert of traditional music and dance, our guide took us to Ubad (the cultural center) and we wandered in and out of lots of tourist type shops that were at least tasteful and did have some interesting things.  In one of them I found a percussive instrument, made of wood – a face with a wooden knocker as the tongue. It was similar to one of my favorite instruments on Newman’s accompaniment blanket, and I was very excited to find it.  (Newman, mentioned in other blogs, is the musician who accompanied many workshops and the piece “Let My People Go.”  He would set out his wide variety of instruments around him on the stage floor, on a piece of fabric which I came to call “Newman’s Blanket.”) I was thrilled to make the instrument my first purchase and enjoyed using it for many years!  There were quite a few Batik stores and I also purchased in one of them a round placemat that I still enjoy using.

As we walked from store to store we were greeted by a number of vendors selling various handcrafted things.  Often they started by quoting a very high price, expecting us to bargain. When we walked away they would offer the item for a realistic price where the bargaining could begin. Murray and I saw some interesting small carvings and learned they were carved cow bones.  We were first quoted a price of $100 but didn’t counter it and just walked away.  Before we knew it, the vendor had said we could have each one for $10.  We ended up buying 3 of them, each for $1. The vendor was happy to have sold them, and we were happy to have bought them.

While the shopping was fun, what really fascinated me happened the next day as we were driving up in the mountains.  It was a festival day and many Balinese were dressed in traditional clothes.  A number of the women were carrying – balanced on their heads – baskets of fruits and flowers arranged in beautiful and intricate patterns.  Our tour guides explained that the women were on their way to a sacred site and the baskets were offerings.  

I vividly remember a visceral response in my body, and thinking this is exactly the kind of thing that is described in the Torah, and further explained in the Talmud, about how during the time of the Temple’s existence, the Jewish people made offerings. For example, Deuteronomy 26:2 says:  

you shall take of the first of every fruit of the ground that you bring in from your Land that your God gives you, and you shall put it in a basket and go to the place that your God will choose.

If you would like to learn more about this ritual, here is a good link to check out: https://www.myjewishlearning.com/article/first-fruits/

I was seeing something similar in a totally different culture, and I was totally fascinated.   

Once back home, I would learn that 90% of the Balinese practice Balinese Hinduism which:

 is a mixture of years of contact with different cultures, most notably the Indian one. Traders introduced their faith to Bali between 1,000 and 1,500 years ago.

Apart from Hinduism, the Balinese have aspects of other beliefs in their religion: Buddhism; Malay ancestor cult or the reverence of dead ancestors; and animistic beliefs.  (“Lisa’s vivid writing” in Medium.com – see link below)

If you want to learn more about Balinese religious practices, rituals and festivals check out these websites:

https://medium.com/bali-in-a-few-words/balinese-hinduism-explained-e3316a16a535

https://www.villa-bali.com/guide/offerings-canangs

/https://theculturetrip.com/asia/indonesia/articles/traditional-rituals-in-bali-you-should-know-about/https://theculturetrip.com/asia/indonesia/articles/traditional-rituals-in-bali-you-should-know-about/

And then we visited a temple and saw a sign outside that said something like “Women:  If you are menstruating or pregnant please do not enter.”  When I asked our guide about it, he shared that women who are menstruating, pregnant or have just given birth are considered “ritually unclean.”  Here was another example of something that had been part of the Jewish tradition, well documented in Leviticus Chapter 15 beginning with verse 19:

If a woman has a discharge, her flesh discharging blood, she shall remain in her state of menstrual separation for seven days, and whoever touches her shall be come unclean until evening.

There are many others examples of times when someone or something is considered unclean in Leviticus and in other parts of the Torah.  Now, here I was, in another culture and religion seeing a similar practice in action. I was surprised to find this in Bali.  

The trip to Bali took on a whole new significance for me.  It was not just the beautiful scenery or tourist shops or sightseeing.  It was about seeing the rituals and culture in practice.  The similarity between the rituals I was seeing and the passages I was reading in the Torah (and using as a basis for leading “dance midrash” workshops in Jewish religious schools) was clear. It gave me new ideas for my teaching.  It was also an awareness of how similar cultures can be and a reminder that we may all be more alike than different.  

Here I am sightseeing in Bali and loving the rich greens of the rice fields.
Murray and me visiting Goa Gajah, the Elephant Cave.  To learn more about
this site check out this link:
https://www.tripsavvy.com/goa-gajah-eerie-elephant-cave-in-bali-1629094

[print_link]

An Intercultural Harmony Grant Funds a 2004 Summer Workshop

Avodah began to do week-long summer dance training programs in 1997, but I want to share memories of our final one, at Perry-Mansfield in August 2004.  We were very fortunate to have a grant from the Laura Jane Musser Fund.   This fund, which began in 1989 upon the death of Laura Jane Musser, is devoted to her interests, which included the arts and helping children.  One of the areas funded is Intercultural Harmony and we applied for a grant to provide a five-day workshop teaching how to use movement, music and storytelling to create multicultural programs in schools.  The grant enabled me to put together a stellar faculty and to help provide scholarships to participants.

This was not the first Avodah workshop at Perry-Mansfield in Steamboat Spring, CO. The first one was in 2001 when Amichai Lau Lavie and Libbie Mathes joined me as the faculty with our week focused on Yoga, Dance and Sacred Text. Libbie was my next-door neighbor in Steamboat Springs and we quickly discovered our common interest in dance and sacred text from both a Jewish and a Buddhist perspective.  This was a great opportunity for us to work together.  Libbie is a highly trained and gifted teacher of Yoga, having studied in India in both Asana (posture) and Pranayama (breath work).  Amichai is now a rabbi, but at the time of the workshop he was a student, extremely knowledgeable about Jewish text.  Libbie remembers “loving his analysis and insights into the Moses sagas.”  The workshop was part of Avodah’s training program for leaders of dance midrash, and at least one person who had done workshops with me in NYC made the trip to Perry-Mansfield in Colorado.

Libbie and I did another workshop the following year focusing on Meditation, with Rabbi Sheila Peltz Weinberg joining us. And then in 2004 we had a faculty of five, all people that I had a long history of working with.  As I mentioned in the opening paragraph, we focused on training teachers to use multicultural programs in the schools. Libbie continued providing the Yoga section and insights from her explorations of India and Yoga’s traditions.  Regina Ress, an international storyteller, had a huge number of relevant stories to share and had taught in schools at all levels.  Kezia had both an education degree and a dance degree, and had danced and taught with Avodah for 13 years.  She and I had led many workshops related to dance midrash and multicultural work that grew out of our piece Let My People Go.  Newman Taylor Baker is a percussionist I had worked with since 1989 as part of Let My People Go and then in other teaching situations along with our prison programs.  He had years of experience presenting school programs and had the most amazing collection of percussion instruments from all over the world.  In addition we invited Julie Gayer to join us, as she was taking on the role of director of The Avodah Dance Ensemble in the fall of 2004, since I was no longer living in New York City and was retiring from heading the dance company.

Our 2004 faculty from l. to r. Libbie, Kezia, Julie, JoAnne, Newman and Regina sitting on the edge of the Louis Horst Dance Studio at Perry-Mansfield.

We not only had participants from throughout the United States, but two members of the Steamboat Springs community, as well.  Libbie remembers a chemistry teacher and also an administrator.  We were thrilled that we could offer scholarships to participants.  Having all worked together before, this was a sheer teaching joy where we could just easily flow from one leader to another.  As Libbie and I were next-door neighbors and luckily the townhouse on the other side of mine was vacant, we rented it for the week, and everyone had fun hanging out together after teaching.  I remember that Newman introduced me to quinoa and showed me how to rinse it first before cooking it.  And then the weekend following the workshop, we had a wonderful time hiking two of my favorite trails. 

Storytelling, movement, and music are all ways to connect to others and learn about different cultures, finding common threads and celebrating differences.  For me on a personal note it was a wonderful way to complete my work with the Avodah Dance Ensemble as its founding director.  Avodah had begun with my exploration of my own Jewish roots and my relationship to Jewish text.  Now over thirty years later, I had changed and my focus was on building bridges between people and seeing intercultural harmony (the beautiful phrase used by the Laura Jane Musser Fund).  And how wonderful to be able to hold this workshop at Perry-Mansfield in the Louis Horst Studio.  It was like so many pieces of my life coming together…nature, spirituality, dance history, personal history, deep friendships and artistic collaborations. 

Regina hugging a tree on one of our hikes.
Resting on a hike and totally enjoying being together.

[print_link]