Two Hillsides

Two hillsides separated by 50 years rushed into my mind during a Monday morning prompt in Poets and Writers’ The Time Is Now group.  We were asked to think of a place to which we couldn’t easily give directions.  While many in the group gave imaginary places such as in a dream, my places were real.  During the 15 minutes of writing time, I mainly described what each place looked like and the context in which I was there, but I soon realized that each of those places foreshadowed important aspects of my life.

The first hillside was a neatly trimmed grass hill that gently sloped up to the youngest campers’ cabin at Belgian Village Camp in Cummington, Massachusetts.  I was 13 years old and had been given a full scholarship to attend. I would be a regular camper in the oldest group, able to participate in all the activities.  In return I was to lead creative dance classes for the younger campers.  Belgian Village Camp was founded in 1948. I remember two of the owners, Mary Beasley who taught at Dalton School and Berta Carlson who admired the poet William Cullen Bryant.  William Cullen Bryant was born in Cummington in 1794.

The camp had a lovely theater with just the right size stage for performing, and I remember having fun playfully leading the younger campers, particularly ages five to eight, with leaping, waving scarves, and making up stories in dance. This was my first teaching experience, and most of the material was based on what I had learned in the creative moment classes of Genevieve Jones.  Toward the end of the six-week season, we created a piece about a toy store, which we performed for the older campers.

The counselor of the youngest group lived in a separate room of the campers’ cabin.  I would climb up the gentle hill in my free time or the early evenings to visit with her.  She provided suggestions on how to lead my classes with the younger campers.

Photo of a camp friend Ellen and me standing on the hill.

Looking back, I realize that teaching came naturally to me.  Leading workshops and teaching have been a core part of my life since I was 13. Recently I led a workshop at my home in Costa Rica using the labyrinth in the garden as the prompt for activities.

The second hill that came to mind was from many years later when Murray and I traveled to Costa Rica to visit Rara Avis Rainforest Lodge and Reserve.  Rara Avis introduced the concept of ecotourism as a conservation tool to Costa Rica in 1983.  We visited in the late 1980s.  We flew into the San Jose airport and spent the first night in a bed-and-breakfast near the airport.  The next morning a cab picked us up, and an hour and a half later we arrived at Las Horquelas where the tractor to Rara Avis departed at 9 a.m.  It then took us three hours on a path just big enough for the tractor, with mud sides that sometimes reached halfway up the sides of the tractor.  About six of us climbed aboard for the nine-mile ride through the rainforest. Once at the Reserve, we registered and had lunch around a big table that seated all the current guests.  After lunch we were escorted to our room at the top of the long grassy hill.  About eight cottages made a semicircle around the edge of the hill.  Our sweet cottage was at the top and had a hammock on the porch, as well as hot water and a toilet.  In looking at information online, I see guests now stay in a lodge rather than individual cabins.   What I remember is this open, grassy hill surrounded by the cabins, with the kitchen and dining area at the bottom, and trails that led into the rainforest.  We enjoyed the nature hikes and learned much and got our first introduction to the busy cutter ants.  We learned not to put our hands on a tree, as one never knows what one might encounter.   A favorite short hike took us to La Catarata Waterfall which is a “180-foot cascada that cuts a brilliant, white path through the dense, emerald forest.” https://www.costarica.com/attractions/rara-avis-reserve

I have vivid memories of quietly sitting there and photographing the beautiful blue morpho butterflies.  Later I would go on to paint them.

I recently painted this watercolor of the blue morpho butterfly.

That was our first introduction to Costa Rica.   If you have been following this blog you know that we moved here with eight suitcases at the beginning of 2020 right before COVID would have kept us from traveling.  And now Costa Rica is my home.

While I didn’t exactly follow the writing prompt – as I CAN describe how to find these places – they no longer exist exactly as I remember them.  Both hillsides were indeed hints of what my life would be like in later years.  What fun it is to see what ideas emerge from writing prompts.

First Visit to Jacob’s Pillow in 1956 and Virtual Visit 2023

Some memories stay vividly with you even after 67 years. The memory of my first visit to Jacob’s Pillow in 1956 is such a memory.

I was attending Belgian Village Camp located in Cummington, MA.  While I was only thirteen, a close friend of my Mom’s knew of my strong interest in teaching dance.   She had a good friend who ran the camp and contacted her, sharing my interest.  I was given a scholarship with the understanding that I would teach the younger kids dance.  I was thrilled.

It was a wonderful summer and I thoroughly enjoyed teaching the young girls creative movement, much as I had learned from my teacher Genevieve Jones. And the highlight was when a group of us was taken to Jacob’s Pillow for an afternoon performance.

In a rustic theatre, the performance began with Ted Shawn introducing himself to us and telling us about Jacob’s Pillow.  I don’t remember his exact words, but my thirteen-year-old self knew he was a very important person and spoke to us in a very dignified manner.

Later I would learn just how important a figure he was in the creation of American modern dance.  A New York Times article written by Clive Barnes shortly after his death gives good insight into his role:

THE death of Ted Shawn shortly after his 80th birthday brings to an end a whole era in American dance. Shawn, together with his wife, the late Ruth St. Denis, was largely responsible for the creation of American modern‐dance.

It was in 1915 that Shawn and his wife started the original Denishawn School in Los Angeles, and from this school emerged the first generation of American modern dancers, Martha Graham, Doris Humphrey and Charles Weidman. These were the new pioneers of American modern‐dance, and Shawn was their spiritual father.   https://www.nytimes.com/1972/01/16/archives/ted-shawn-18911972.html

The current Jacob’s Pillow website points out that in 1930 Shawn purchased a “rundown farm in the Berkshires known as Jacob’s Pillow … and that laid the groundwork for both his revolutionary company of men dancers and America’s oldest dance festival.”

On YouTube you can watch a piece of his company of men performing

When our camp visited the Pillow, Shawn said the performance that day would let us see three different kinds of dance: modern, ethnic and ballet. I do not remember the modern or ethnic dance performances at all, but having the opportunity to see Alicia Markova dance “The Dying Swan” was breathtaking.

Markova was 46 when I saw her perform, and the emotion and delicacy that she exhibited, especially in her arms, stood out.  She had begun performing when she was just 14, discovered by Diaghilev.  After her time with the Ballet Russes she moved to London and danced with the Sadler Wells Ballet Company and was noted for her partnership with Anton Dolin.  On YouTube you can find excerpts of her dancing The Dying Swan and also Giselle with Anton Dolin as her partner.

Link to The Dying Swan

Link to Giselle 

The summer at Belgian Village opened my eyes to new possibilities ahead and I am grateful that I had the opportunity to begin exploring my teaching abilities and to visit Jacob’s Pillow.

                   Age 13 at Belgian Village Camp

Now living in Costa Rica, I don’t get many opportunities to see dance, so I am very glad that Jacob’s Pillow is now making so much available online.  Some videos and films are free and that includes the short films that are a part of Inside the Pillow Lab and some longer films that are part of Pillow Talk.  It is a great resource both for gaining a historical perspective and for knowing what is happening now.  For example, one film of historical note in Pillow Talk is “Ann Hutchinson Guest: A Century +”:

Celebrating the life of dance notation pioneer Ann Hutchinson Guest (1918-2022), her legacy and deep Pillow roots are explored by friends, family, and fans including Norton  Owen, Michael Richter, Tina Curran, and Melanie Dana, with many video clips of Guest herself.  (1:00:37)

The Pillow Lab videos are short interviews with choreographers, about the work they created while at Jacob’s Pillow.  While they are talking, we see dancers moving with phrases from the developing piece.  The videos are short and informative with a diverse group of choreographers.

There is also a pay-for-events section where one can select films of past performances at Jacob’s Pillow.   Currently streaming now and available for a fee of $15 is the Limon Dance Company which is currently celebrating its 75th anniversary.  It was added on January 9th and will be available until February 19th.  Once you pay you may watch the performance as many times as you like.   Also available are pre- and post-show talks related to the performance, and these are free.

So even if you can’t make an in-person trip to the Pillow, you have lots of options to watch, many for free and some costing $15.

If you have studied at Jacob’s Pillow, performed there or attended a memorable performance, I invite you to add a comment — or better yet, to contact me to do a guest post about your experience.

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