Two Hillsides

Two hillsides separated by 50 years rushed into my mind during a Monday morning prompt in Poets and Writers’ The Time Is Now group.  We were asked to think of a place to which we couldn’t easily give directions.  While many in the group gave imaginary places such as in a dream, my places were real.  During the 15 minutes of writing time, I mainly described what each place looked like and the context in which I was there, but I soon realized that each of those places foreshadowed important aspects of my life.

The first hillside was a neatly trimmed grass hill that gently sloped up to the youngest campers’ cabin at Belgian Village Camp in Cummington, Massachusetts.  I was 13 years old and had been given a full scholarship to attend. I would be a regular camper in the oldest group, able to participate in all the activities.  In return I was to lead creative dance classes for the younger campers.  Belgian Village Camp was founded in 1948. I remember two of the owners, Mary Beasley who taught at Dalton School and Berta Carlson who admired the poet William Cullen Bryant.  William Cullen Bryant was born in Cummington in 1794.

The camp had a lovely theater with just the right size stage for performing, and I remember having fun playfully leading the younger campers, particularly ages five to eight, with leaping, waving scarves, and making up stories in dance. This was my first teaching experience, and most of the material was based on what I had learned in the creative moment classes of Genevieve Jones.  Toward the end of the six-week season, we created a piece about a toy store, which we performed for the older campers.

The counselor of the youngest group lived in a separate room of the campers’ cabin.  I would climb up the gentle hill in my free time or the early evenings to visit with her.  She provided suggestions on how to lead my classes with the younger campers.

Photo of a camp friend Ellen and me standing on the hill.

Looking back, I realize that teaching came naturally to me.  Leading workshops and teaching have been a core part of my life since I was 13. Recently I led a workshop at my home in Costa Rica using the labyrinth in the garden as the prompt for activities.

The second hill that came to mind was from many years later when Murray and I traveled to Costa Rica to visit Rara Avis Rainforest Lodge and Reserve.  Rara Avis introduced the concept of ecotourism as a conservation tool to Costa Rica in 1983.  We visited in the late 1980s.  We flew into the San Jose airport and spent the first night in a bed-and-breakfast near the airport.  The next morning a cab picked us up, and an hour and a half later we arrived at Las Horquelas where the tractor to Rara Avis departed at 9 a.m.  It then took us three hours on a path just big enough for the tractor, with mud sides that sometimes reached halfway up the sides of the tractor.  About six of us climbed aboard for the nine-mile ride through the rainforest. Once at the Reserve, we registered and had lunch around a big table that seated all the current guests.  After lunch we were escorted to our room at the top of the long grassy hill.  About eight cottages made a semicircle around the edge of the hill.  Our sweet cottage was at the top and had a hammock on the porch, as well as hot water and a toilet.  In looking at information online, I see guests now stay in a lodge rather than individual cabins.   What I remember is this open, grassy hill surrounded by the cabins, with the kitchen and dining area at the bottom, and trails that led into the rainforest.  We enjoyed the nature hikes and learned much and got our first introduction to the busy cutter ants.  We learned not to put our hands on a tree, as one never knows what one might encounter.   A favorite short hike took us to La Catarata Waterfall which is a “180-foot cascada that cuts a brilliant, white path through the dense, emerald forest.” https://www.costarica.com/attractions/rara-avis-reserve

I have vivid memories of quietly sitting there and photographing the beautiful blue morpho butterflies.  Later I would go on to paint them.

I recently painted this watercolor of the blue morpho butterfly.

That was our first introduction to Costa Rica.   If you have been following this blog you know that we moved here with eight suitcases at the beginning of 2020 right before COVID would have kept us from traveling.  And now Costa Rica is my home.

While I didn’t exactly follow the writing prompt – as I CAN describe how to find these places – they no longer exist exactly as I remember them.  Both hillsides were indeed hints of what my life would be like in later years.  What fun it is to see what ideas emerge from writing prompts.

The Elegance of Black

I have fun responding to prompts for writing exercises, and recently I discovered the website of the non-profit organization Poet and Writer’s which provides a lot of suggestions for prompts.  The prompts given are impressive. Each week three prompts are presented on the main page of the website:  one for poets, another for fiction writers and the third for those writing creative non-fiction.

Poets and Writers “is the nation’s leading nonprofit organization serving creative writers.” With a premium membership (a very reasonable $75/year) it’s possible to join various online groups based on your interest.  One of them that I have joined is The Time is Now: Writing Together.  It meets weekly on Monday mornings and once a month on Saturday.  The group is led by a staff member and consists of a welcome (often including a question related to the prompt), then the prompt with fifteen minutes to write about it quietly, and finally another 15 minutes of sharing.

On Saturday, March 28, about 8 of us attended and enjoyed exploring the prompt entitled “Color Theory.”   While the prompt was designed for poets with the option of writing several short poems related to color, Nicole, who leads The Time Is Now sessions, reminded us to feel free to go in whatever direction we wanted.  A brief discussion involved people responding to the question, “What color is right for you today?” and then we wrote silently  for 15 minutes responding to the prompt.

I was surprised that my response was “black,” and immediately I traveled back 65 years to 316 E. 63rd Street in New York City, the home of the Martha Graham School of Contemporary Dance.  Nearly every student was wearing a black leotard with black tights going down to the ankle.  We gathered in the main study on the first floor and most of us arrived fifteen minutes before the class.  Each of us had our own ritual to help us prepare and be alert in class. I usually stretched on the floor. A friend Margarit looked in the mirror checking that her hair was neatly in place. Most of us made sure our hair was carefully in a ponytail or bun so we could whip our bodies around or do a spiral to the floor and not end up with a mouth full of hair.  While we all had the same basic black uniform we managed to add a distinctive touch. Perhaps it was the neckline that we customized to flatter our body or a bright turquoise circular hair clip holding our bun in place.

An example of how I often customized my black leotard, giving it a square neckline! Photo by Tallahassee Democrat for publicity for Sabbath Woman for The Avodah Dance Ensemble.

That morning’s intermediate class was being taught by Martha Graham herself, the creator of the technique.  Usually, class was taught by one of the company members.  They were excellent teachers, making sure we were doing the combinations correctly, coaching the proper placement of our bodies, and teaching choreography from a piece of repertory.  But Martha was different.  She inspired and gave us images that stayed with me over the years.  She could twist her body to one side and place her hands on her hip and share how she discovered her hip.  We knew she was talking about how she  used her hip in a new way.  Martha reminded us of our uniqueness:

There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost. (Martha Graham)

Check out Goodreads to see more of her quotes.  https://www.goodreads.com/author/quotes/47790.Martha_Graham

Of course, there is one quote that stands out in my memory, and it isn’t in the list of quotes.  As we were doing contractions on the floor, she instructed, “OK girls, air out those vaginas.”

Black is also the color I remember wearing and seeing others wear at funerals.  The first funeral that I attended at age sixteen was for my grandmother.  To my young mind, wearing black represented grieving and acknowledging her passing in a respectful way.  The director of the funeral home where my grandmother’s service was held pinned a keriah to my father’s suit, a torn black ribbon as a symbol of grief for him to wear throughout shiva (Judaism’s 7-day period of initial mourning observed by immediate family following a death).  When I was older, black was my special choice for a cocktail dress or a dressy pantsuit and I loved splurging on several Eileen Fisher black outfits that could be interchanged and coordinated in different ways.  And today, even for casual clothes one can often find me in all black.

Photo taken by Murray of me in a typical casual black outfit,
by the Rio Grande River, in Albuquerque around 2019.

Seeing something as black or white as if it were a metaphor for good or bad is not a part of my vocabulary.  I see each as very positive and am fascinated by all the gradations of gray when you go from one extreme to the other.   I remember exercises in art class where we made samples of these gradations not only in black and white but in many other colors.

In recent times, occasionally filmmakers will purposely decide to shoot a film, or part of a film, in black and white. An outstanding example of this was Schindler’s List.  While it is mainly shot in black and white, there is a symbolic scene of a little girl in a red coat, and at the end of the film there is a transition to color and a very memorable moment showing actual Holocaust survivors and their descendants paying tribute to Oskar Schindler’s grave by placing a stone on it.

While I didn’t write this blog in fifteen minutes in the Poets and Writers’ Saturday morning session, I did get the idea for the blog.   I look forward to participating in The Time is Now: Writing Together, with its thought-provoking prompts and stimulating discussions. It’s a wonderful creative way to start each week on Monday morning.